‘Star Trek: Discovery’ Vaults Ambition and Common Sense with its Third Mirror Universe Episode

Credit where it is due.

The writers of ‘Discovery’ did an excellent job of setting up Lorca’s SURPRISE TWIST REVEAL. I mean, they actually put the ground work in, and now all that stuff I said about him being the worst captain ever bears true by design, Fair enough, bravo.

But that’s about as far as I’m happy to go in terms of credit. Here are the immediate observations:

  • Why does the Terran Empire, possessing no knowledge of functional Spore Drives, have a ship identical to the U.S.S. Discovery, a vessel custom-designed with moving saucer segments specifically for the Spore Drive? Did they build it just to hedge their bets, in case they one day discovered an as-yet unknown technology which would require that exact design? THIS IS WHY THE MIRROR UNIVERSE IS DUMB, AND GOOD ONLY FOR NOVELTY ONE-OFF EPISODES.
    • Don’t get me wrong, the Mirror Universe ships appearing identical to their Prime counterparts is still nonsensical, but at least it’s semi-rationalised by them at least being based on the same tech – they all have warp drives, and shields, and phasers and torpedoes, for example. It just doesn’t work with tech that’s unique, like the Spore Drive.
  • Emperor Georgiou’s little spinning DRAMATIC-REVEAL podium was just cheap and ridiculous enough to be adorable. It doesn’t even have a chair, she just had to stand there until she’s been hyped up enough.
  • No Detmer this episode. Or any other women. Just Georgiou, Burnham, L’Rell and Tilly. Tilly is back on form, talking about Stamets’ “dewy skin” and contributing literally nothing else.
  • Saru has gone from “Scared of everything” to “Indifferent to everything.” But then, he’s got to deal with two sub-plots on his own (Stamets and AshVoq) so maybe he don’t got time for fear.
  • Michelle Yeoh was on form again, serving to remind us that she really ought to have been in this show throughout.
  • Emperor Georgiou calls Burnham up to her dining room to feed her stewed Kelpian, call her a traitor and then send her back down to the throne room for a private execution. I honestly think this was just another chance for the writers to mess around with cannibalism.


  • I really miss the days where the Mirror Universe was a chance for the regular actors to have fun – it was great seeing Mirror Kirk screaming his head off in the Prime Brig, or Mirror Sulu being the slimiest red-piller in the central finite curve, or Mirror Kira trying to fuck anything with a pulse. It’s less fun when everyone is just as boring as their regular selves, but slightly more sadistic. Michelle Yeoh and Anthony Rapp give great performances this episode, but it would’ve been nice to see them chewing the scenery a bit more.
  • Lorca’s reveal is played for dramatic weight, much as with Ash’s reveal. And, just as with Ash’s reveal, a lot of that weight turns out to be insubstantial, as the audience was already aware of the twist and was merely waiting for the reveal.
    • Both of these arcs are very similar, and I find it strange that they were both included. It would have been much more interesting if their duplicitous natures were made clear from the onset, and then used throughout the series to add tension to pivotal scenes – e.g. will this be the moment that they reveal who they are, and how will the crew react to that? Instead, Lorca is just a terrible captain and Ash is just a troubled Human, both depicted as a result of mental health issues, and both ultimately explained in reasonably dull reveal scenes.
    • For reference, see the mid-2000’s reboot of ‘Battlestar Galactica’. Boomer, the Cylon sleeper agent, is revealed for what she is at the end of the pilot. Throughout the entire rest of the first season, they use this to lace otherwise-pedestrian scenes with a huge degree of tension. It culminates with an incredibly shocking finale, in which Boomer attempts to assassinate Admiral Adama, who subsequently spends the first three episodes of Season Two fighting for his life on a hospital bed, with Boomer herself locked in the brig, completely unaware of what she had done. For every action, multiple consequences. Jesus, talk about great television.
  • The Klingon war gets brought up this episode, but to all intents and purposes that entire plot thread is irrelevant to these three episodes in the Mirror Universe – and presumably will be until the end of the season. Which means we had this huge storyline which was barely explored, got a flaccid finale with a non-antagonist, only for it to be ditched in favour of something silly and unrelated.

That’s enough bullet points for now. Further analysis to follow sometime soon.

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