Poverty, Pronouns And The Pathetic Nihilism Of Picard: A Star Trek Story – Part One

Part Two of this analysis piece can be found here.


‘Star Trek: Picard’ is a story about how a modern, technologically advanced civilisation can succumb to hatred and bigotry.

Well, that’s not entirely true, as we never see the descent of that civilisation. ‘Star Trek: Picard’ is actually a story about a modern, technologically advanced civilisation that has succumbed to hatred and bigotry.

Well, okay, that’s not precisely accurate either, as we don’t actually explore that civilisation or its various societies. So, really, ‘Star Trek: Picard’ is a story about…

… An arrogant, straight, cisgendered old white man who berates others for their intolerance as he lives in an opulent mansion surrounded by huge swathes of land, cared for by unpaid full-time servants.

There’s also some stuff to do with conspiracies and robots and the Borg.

This is a bit of a deep-dive, so please settle in.


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‘Star Trek: Picard’, or “PIC” from now on, opens with Jean Luc Picard dreaming about Data as he sleeps in a gorgeously furnished bedroom in his French mansion. Outside, automated hover-fertilisers glide over his family vines, whilst people in workclothes carrying farm tools wander around doing their duties.

A little later, Picard sits in a luxurious study in front of TV cameras as he answers questions in an interview for ‘FNN’ (presumably ‘Federation News Network’). The interviewer chooses her words carefully to imply that Romulan lives are not equivalent to Federation lives, and states that, as historical enemies, Picard’s decision to try to save the Romulans from their exploding star was controversial. She further explains that, as the rescue armada was assembled, rogue “synthetics” attacked and destroyed the fleet. This led to Picard leaving Starfleet, outraged that it was “no longer Starfleet”, after giving up on the Romulan rescue effort.

Later, Picard has more dreams of Data, wanders around his expansive estate with his pet dog as his two Romulan house servants cook and clean for him and more vinyard works go about their work. Picard orders his decaffeinated Earl Grey tea from replicators in the kitchen and falls asleep on his enormous antique wooden bureau. By all indications, he has spent the last fourteen years since the synthetic attack and the supernova in quiet rest.

In Episode 2, ‘Maps And Legends’, Picard again resting in his mansion and drinking tea when he is informed that he has a brain disease by his long time friend and doctor, Bever- sorry, Moritz Benayoun, who was apparently on the Stargazer with Picard many years ago. Whilst the disease is not yet identified, there is nontheless no apparent doubt as to what will happen to Picard.

Throughout all of this, Picard has also met a young woman who is also an android, has been attacked twice by highly skilled assassins, been caught in a devastating explosion, found out that Data had a daughter (aforementioned young woman), been insulted by the commander of Starfleet, and learned about a super-super-duper-super-secret Romulan cabal which has existed for “thousands upon thousands of years” and which has the sole purpose of hating artificial lifeforms.


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Picard then gets a taxi to the Arizona desert (which is apparently more efficient than simply beaming there with the prolific transporter technology) to see his old friend and colleague Raffi. Raffi was a Lieutenant-Commander working under Picard prior to the Romulan supernova. After the synthetic attack, Picard resigned in protest at Starfleet’s apathy, and Raffi was discharged along with him, presumably out of spite.

Raffi lives in a trailer in the desert and hefts a pump-action phaser rifle at any visitors to her run-down “hovel”, as she describes it. She explains how humiliating her life is, especially compared to Picard’s château, and bemoans the unfairness of how differently their lives have turned out.

Just to tie this bit off, I would like to point out that Earth is a technological utopia, with limitless power generation, advanced education which teaches children warp theory in high school, and the ability to convert energy into any form of matter in an instant. Transporter technology permits transit across enormous distances in an instant, and holoprograms exist which possess their own intelligence and ability to solve complex problems, even serving as doctors.


Through Raffi, Picard acquires the services of Rios, an independent captain of his own vessel. He lives on his ship alone, with advanced “Emergency Holoprograms” (all modeled after himself) who act as his crew. He can replicate whisky seemingly anywhere within the ship, and gets free medical attention from his Emergency Medical Holoprogram. Rios insists that he is expensive to hire, he makes clear that he is finished with Starfleet, the same as Picard and Raffi.

A short while later, Raffi appears on Rios’ ship, and states that she is tagging along to reach somewhere called “Freecloud”. This means she is now able to enjoy the luxuries of Rios’ ship whilst she is aboard, such as replicated foodstuffs, elaborate holodecks, and skilled, free labour from the Emergency Holoprograms.


We also spend some time away from Picard aboard a ruined Borg cube, in what I can only describe as the most vapid television I have witnessed in some time, as a Romulan spy and another of Data’s android daughters flirt and sleep with each other, and also some other stuff related to a “prophecy” gets talked about. It’s exceptionally slow and dull.


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In the opening teaser of Episode 2, ‘Maps And Legends’, we get to see a brief segment of the lives of Starfleet workers on Mars, as they make snide remarks about their robot colleagues and complain about the food they have just replicated, which they call “brown, sticky shit.” They do a lot of complaining about their food, in fact, referring to “space pineapples again” and bemoaning the downgrading of their replicators.

Just to tie this bit off, I would like to point out that Mars is an historic part of the Federation, in the same system as Earth, and has functioned as Starfleet’s main shipyards for at least several decades. Starfleet’s finest engineers and designers spend their time at the shipyards, advancing starship technology further with every new draft. And that replicators capable of recreating any foodstuff from pure energy have been standard equipment on every Starfleet ship for decades. Riker was even able to replicate (dead) Gagh, and other Klingon delicacies, waaaay back in Season 2 of TNG, exactly twenty years before the synths on Mars went rogue.


In Episode 4, ‘Absolute Candour’, Picard travels to a Romulan refugee village, one which he had previously visited before the Mars attack. Whilst there, he witnesses the poverty in which the refugees live, such as a former senator reduced to a brawling drunk in a run-down bar. Picard disdainfully casts aside a xenophobic “Romulans Only” sign hanging outside the bar, before making a point of sitting down and demanding service from the impoverished Romulans around him.

Just to tie this bit off, I would like to point out that the planet the Romulans are barely surviving on, Vashti, is entirely surrounded by a powerful defence network capable of destroying any unauthorised ship which approaches the settlement.


A lot of criticism has already been leveled at PIC, such as the use of swearing (about which I don’t personally give a shit) or the generally poor quality of dialogue:

  • Pro tip for future reference…”
  • “What do you mean, ‘Synths have attacked Mars’?”

PROTIP

I could be nitpicky about a scientist on the show stating that there are “more than 3 billion stars in our Galaxy” when there are in fact over a 100 billion, but that is not what I want to write about.

What I actually want to write about is the themes of the show, and how poorly understood those themes seem to be by the show’s own writers.

The problem is that the writers do not demonstrate an understanding what poverty is, or why it exists, or the connection between inequality and bigotry.

Patrick Stewart, a life-long left-winger and supporter of the British Labour Party, is on record as stating that PIC is a response to both Trump and Brexit, and that this is some sort of attempt to address two separate issues that seem inextricably linked by their specific populism: the rise and seeming political invulnerability of Trump, who has created concentration camps on U.S. soil, and the Brexit movement, which is seeing Britain sabotage its own economic future for the sake of limiting immigration.

Both issues are anti-immigration. Whilst Brexit lacked an iconic catchphrase, were Britain not an island it might certainly have been “Build that wall!” And this ties into the issue at the centre of PIC’s narrative – the rehoming of refugee Romulans. Just as Britons and Americans voted in line with their apprehensions about immigration, so too the Federation seems to have ruled in line with accepting Romulans across its own border.

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The parallels run deeper. ‘FNN’, the news agency interviewing Picard in the first episode whilst making implications about the value of Romulan lives, is a clear equivalent of Fox News, the private news agency in America which has presented so many right-wing, nationalistic and xenophobic talking points. Picard’s reference in that same interview to the Dunkirk rescue effort alludes to Britain’s former role in supporting its European neighbours, and the stark contrast with Britain’s now-prevailing anti-European national sentiment.

But there’s a few fairly significant pieces of the puzzle still missing.


Fox News was founded by Rupert Murdoch and Roger Ailes in October 1996 – almost exactly five years before the World Trader Center attack on September 11, 2001. And whilst Fox News was well-funded by billionaire investors from the get-go, it is doubtless that the first major attack on the American mainland by a foreign power would have heavily increased interest in the kind of nationalistic, isolationist opinions that were being pushed by Fox News’ array of presenters and guests at the time.

Fox News was owned by News Corporation, also a Murdoch company, which owned UK-based newspapers The Times, The Sun and now-extinct The News Of The World. Murdoch himself has exercised editorial control over The Sun and The News Of The World since he took ownership of them in 1969 (yes, more than fifty years ago), and whilst he did not have similar editorial freedom with The Times, he nontheless had a lot of influence over the publication. Murdoch also founded Sky News in 1989, a British news channel which is nowhere near as outwardly biased as Fox News, but which certainly leans right on the political spectrum.

Most people reading this will already understand the role that Fox News has played in modern US politics. Fox News supported President Bush during his two terms from 2001 to 2009, was incredibly critical of President Obama during his two terms from 2009 to 2017, and has been a staunch defender of President Trump so far through his first term. Most political historians recognise the key significance of Fox News on the American public psyche – not merely because of the commentary it provides, but because of its massive reach, being voted the “most trusted” news network in America on multiple occasions, reaching 90 million households and being the top-rated cable network as late as 2019.

To understand the significance of The Sun in the UK is perhaps a little harder, but here’s some anecdotal evidence: following the Sun’s abhorrent coverage of the Hillsborough tragedy in 1989, a popular movement grew in my home city of Liverpool to boycott the Sun newspaper, a boycott which has persisted ever since. A possible consequence? In the 2016 referendum, Liverpool was one of the more staunchly pro-European regions, and in 2019, Liverpool constituencies were some of the best-performing for the left-wing Labour Party, which faced disaster across the rest of the UK.

The point being, our consumption of media plays a huge role in how our societies progress.

Another point being, these are operations that have been ongoing for decades – since before I was born, in some cases. And the consequences of these media operations are proportional to their duration. Fox News did not immediately change the landscape of politics in 1996. But 24 years later, it has certainly had its part to play in one of the most dramatic and controversial periods of U.S. political history.

Nothing happens in isolation. The World Trade Center attacks certainly did a lot to shift American foreign policy, but even events as evil as that can have different effects on public opinion based on the media response. Had Fox News and other outlets focused less on the role of Islamicism in those attacks, and more on the role of prior White House administrations in arming and empowering the very same militant groups that committed those atrocities, the political landscape over the following years might have been quite different.


There’s another element to all of this.

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It’s very easy for someone like me – an employed, middle class, educated white dude – to view the recent shift towards bigotry as the fault of a biased media and the people stupid enough to believe in it.

I’m lucky enough that most of my friends are not poor. Not many are wealthy by British standards, but most are not struggling to put food on the table. Most of my friends are white and middle class, just like me, and benefitted from a university education, just as I did. Most of these friends do not read the Sun or watch Sky News. Most of these friends are anti-Brexit, anti-Tory, diehard Leftists, which makes me proud.

A lot of people in the UK, and in the US, are not so fortunate. Many have been made redundant within the last five years, or struggled to find an adequate job to begin with. Many have come from much poorer backgrounds, without middle class families to support them through rough times. Many are living in poverty as a result of these factors.

By poverty, I mean simply “a lack of access to the services, products and amenities that are considered necessary for a healthy, happy life.” I mean the ability to travel around the country, to buy food, afford shelter, and power, and healthcare and, in recent times, an internet connection – which is now absolutely a necessary part of our social infrastrucutre.

In our world, poverty is caused by a lack of wealth, which itself is caused by a lack of income. A lack of income means a lack of a job for most people. This is why governments will often use welfare programs, or social security, to provide a supplementary or replacement income to those who cannot work or who have lost their jobs, to try and prevent them from becoming impoverished.

You need income in our modern world because we have what is called “scarcity“. Food has to be grown, building materials have to be manufactured, clothes have to be sewn by exploited sweatshop workers and movies have to be made by overworked CGI artists who will be laid off after production is finished. Because all of these things are “scarce”, i.e. finite, and require effort to create, they have a value. That value is paid for with money, which you earn by having an income, which you get by having a job.

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Even if goods and materials and food are all plentiful and therefore cheap, land is not. We have finite usable land, and by “usable” I mean land that is solid enough to build on, close to existing infrastructure, accessible, temperate enough to live in, and not already in use for some other purpose. This means that even if you have everything you need to build a house and live in it sustainably forever, you need somewhere to build it to begin with. Sadly, our society is not yet technologically advanced enough to create “land” elsewhere, such as in the ocean, or in space.

And if you think I’m overexplaining all of this, there’s a reason for that.

Right-wing media organisations such as those owned by Rupert Murdoch do not automatically convince people of their messages. They will exploit inherent human weaknesses, such as fear following a terrorist attack, or that inherent crumb of intolerance that we all possess, and which some of us do a better job of keeping under control.

A big weakness is financial anxiety. The closer you are to being in poverty, the easier it is to feel like a victim. And the more you feel like a victim, the more you need something or someone to blame.

The reality is that a lot of jobs are lost as a result of decisions that were made years before. The wrong CEO was chosen, or new and more efficient technologies were introduced, or the market began to shift and the company never adjusted to meet new demands. Sometimes a company decides to relocate to a more cost-efficient location, and those employees who can’t move with it are left behind.

But losing your job is often a very sudden and immediate thing. One month, you’re working and earning a comfortable wage, and the next, you’re being shown your limited options and a redundancy package if you’re lucky. Even though the causes of you losing your job are gradual and long-term, the act itself is rapid and surprising.

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And this is just the binary of having or not having a job. I’ve not even touched upon the concept of situations where employment is high, and everyone has a job, but salaries have risen more slowly than inflation. It’s incredibly difficult to explain to someone who is working forty hours a week that the reason they still feel poor is because of nebulous macroeconomic issues that they have no ability to affect.

Which is all a roundabout way of saying that, when you’re talking to someone who is trying to understand why they’ve worked hard all their life but still can’t afford basic necessities, simple answers will be more readily accepted. Something like, “Well, it never used to be this bad, before they let all those immigrants in…” is just an easier concept to grapple with than “Well, you see, in the lead-up to the 1929 Wall Street Crash, speculative markets overvalued stock prices, which led to…”

Indeed, it is especially hard to convince someone of the real, highly complex and long-term causes of their poverty when they see so many people around them protected from that same poverty. If the system in which we live is malfunctioning, then surely it must be malfunctioning for everybody? And if so, how can there still be people going on expensive holidays, buying sports cars, living in fancy homes?

mansion

When faced with that contradiction, you’re more vulnerable to a simple answer that is quickly delivered, and that simple answer will often conveniently shift the blame from the people who are actually responsible.

Jacob Rees-Mogg is an aristocratic millionaire who makes money from investments in companies that lay people off and underpay their workers to drive profits. He is benefitting from your redundancy, but he is telling you that your poverty is the fault of EU immigration laws.

Donald Trump has spent his entire life breaking agreements with contractors and refusing to pay them agreed sums, and he deliberately emlpoys the cheapest staff he can find in his various enterprises. But he is telling you that the reason your boss had to fire you is because of Mexicans.

Fox News was founded by a literal billionaire who also owned The News Of The World, until that British paper was forced to close down after it was found to be illegally hacking into childrens’ mobile phones. And yet these media outlets will claim to care deeply about your rights and your security as they share opinion pieces on the threats posed by immigration.


Pulling these issues together, what we’re left with is that the kind of societies that will elect Trump, the kind of societies that will vote for Brexit, are socieities that are suffering from inequality, from a visible gap between the rich and the poor, and often with no good or comprehensible reason being presented.

In fact, every major shift on a national political compass, typically from progressive to conservative, in modern history has followed increases in wealth inequality.

As a really good example, consider the 1979 Iranian Revolution, which saw the rise of Ayatollah Khomeini. You may be familiar with the contrast of pre-revolution Iran and its more progressive attitudes towards women, as highlighted in this BBC article displaying images of the state as it once was.

What you may not realise is that (and I am condensing A LOT of Iranian political history here) the precursor to the Iranian Revolution and the rise of conservative Islamism in Iran was not some hatred-driven religious movement that sprang from nowhere, but was in fact massively increased wealth inequality under an unelected monarch:

“The White Revolution’s economic “trickle-down” strategy also did not work as intended. In theory, oil money funneled to the elite was supposed to be used to create jobs and factories, eventually distributing the money, but instead the wealth tended to get stuck at the top and concentrated in the hands of the very few.”

That monach was Shah Mohammad Pahlavi, an unlected aristocrat who was restored to power by a combined UK- and US-backed coup d’état which arose from the loss of British control over Iranian oil.

(By the way, Shah Pahlavi had already been installed as a replacement for his father by a joint UK-Soviet invasion during the Second World War in order to secure oil supplies for the Soviet Army. Thanks to the scarcity of oil, Iran has essentially never been allowed to choose its own destiny, and it’s little wonder they’re pursuing the most extreme means to secure their own autonomy.)

Iran did not suddenly swing to hardline conservative Islamism for no reason. The people of Iran were the victims of wealth inequality, and just as has happened in Russia, France, China, Germany, Korea, the United Kingdom AND the United States, they chose revolution. And as a result, their political compasses shifted, either Left or Right, Democratic or Authoritarian.

The Nazis didn’t rise to power because everybody in Germany was a white supremacist. They rose to power because they offered a simple, wrong answer to Germany’s wealth inequality. Trump wasn’t elected because half of America idolises him, he was elected because he offered a simple, wrong answer to America’s wealth inequality. And Brexit did not happen because the UK hates the EU, it happened because rich white men offered a simple, wrong answer to Britain’s wealth inequality.


So, how does this tie in to ‘Star Trek: Picard’?

Well, let’s start off by repeating that Brexit didn’t happen because “everybody is a little bit racist.” Trump was not elected because “we naturally evolved to be untrusting of foreigners.”

Both Trump and the architects of Brexit preyed upon a poor working class that was getting poorer. Trump wasn’t wrong to target his rhetoric at coal mining communities where the mines have shut down – but he was wrong to pretend that those lost mining jobs would ever come back. Boris Johnson was not wrong to use possible economic prosperity as a carrot to dangle in front of impoverished towns in Northern England, but he was wrong to suggest that Brexit would ever result in a greater income for the people in those towns.

MAGA-hat-wearers and Brexiters alike were predominantly people who have been on the harder end of increasing wealth disparity in the US and the UK. The great irony is that they allowed themselves to believe in millionaires living lives of privilege – millionaires who were smart enough to provide a simple answer to the economic issues of the day. “There are too many immigrants,” has a brutal simplicity to it that does not require an understanding of inflation, or industrialisation, or marginal tax rates. And it’s an answer that fits neatly on the front page of The Sun, or in a rolling text box on Fox News.

Which is what brings us back to PIC, and a couple of big questions:

  1. In a world where any kind of material or food can be spontaneously created out of freely-available energy, and there is a well-established ability to construct habitats in space, how can there be any scarcity, and hence poverty and economic inequality?
  2. If there is no poverty, and hence no financial anxiety, how is a Trumpian, Brexity anti-immigration platform able to gain traction?

We see Jean Luc Picard ordering a decaffeinated Earl Grey tea from a replicator in the well-equipped kitchen in his French mansion whilst his live-in, full-time servants prepare food. Outside, in fields that stretch out to the horizon, automated farm equipment floats by farm workers who tend vines used to make wine. To the best of our knowledge based on events portrayed in the series so far, this has been the status quo for Jean Luc Picard for the last fourteen years, since he resigned from Starfleet.

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We see Rios aboard his ship, a roomy vessel with its own holodeck, bedrooms, presumably other living amenities. His every need is tended to by an apparent army of Emergency Holoprograms. Whisky is replicated out of thin air directly in front of him. He smokes cigars.


We see Raffi, sitting on the porch of her trailer in the Arizona desert, a small wind turbine on the roof. She grows her own “snakeleaf” which she inhales from a vaporiser. She keeps a pump-action rifle on hand; presumably the area in which she lives is dangerous enough to warrant it. She chastises Picard for his privileged lifestyle in his château, and calls her own home a “hovel”, which would be too “humiliating” to show to him.


We see a group of Starfleet workers on Mars, on the day of the synthetic attack. They swear and joke and complain about their jobs, their robotic colleagues, their awful food the selection of which they apparently have no say in.


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We see a township of Romulan refugees, angry at the Federation and at Picard for abandoning them, for leaving them on a dusty planet for fourteen years. We watch Picard angrily tear down their “Romulans Only”, pointedly step on it, only to smirk at the onlooking Romulans, enter their bar and demand service.


How can all of these things be simultaneously be true?

How can the same society provide one old man with tracts of land and a mansion to live in with freely-replicating tea, whilst depriving a younger woman of any amenities and condemn her to live in a hovel in the desert with a drug addiction?

How can the same society force a woman to live in a hovel in the desert, while a man of the same age lives on an advanced spaceship with freely-replicating whisky and holograms to provide for his every need?

How can the same society provide unlimited replication of foodstuffs for two men who once worked for Starfleet, but deny those same freedoms to people currently working for Starfleet?

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The writers of PIC have clearly demonstrated that wealth inequality exists, so they at least have gotten that part right. But they have failed to explain how that wealth inequality could ever arise when people like Raffi could seemingly just move out of their hovels and live on a spaceship, as she chooses to do at the end of Episode 3.

The Mars workers complain about the food they are provided in their office, but if it’s so bad, could they not replicate their own food at home and bring it with them? Or are we to believe that these workers are denied access to the same food recipes as Picard and Rios? If so, why? The food is replicated according to a computer program, it does not exist in any form before it is made by the replicator.

Where today’s wealth inequality is caused by a scarcity of materials, a limited supply of the goods we need to survive, in ‘Star Trek: Picard’, they have demonstrated a complete lack of scarcity. What social mechanism is it that allows Picard himself to run automated fertiliser machines over his acres upon acres of luxury crop fields, whilst simultaneously denying the Mars workers any variety in their lunch? I can get more variety in my lunch routines from a cafe that runs off of three ovens and two cooks, and yet an advanced replicator, a device which turns stored energy into any kind of matter, somehow has limits imposed upon it for some members of society, but not all.

In such a scenario, where wealth inequality exists despite the prevalence of technology capable of solving it, I think even I would start feeling a little Trumpian. If I’m watching Picard being interviewed on FNN from his own personal vinyard whilst I put up with yet another portion of brown, sticky protein for lunch in my trailer in the desert, when I know that the means to solve my problems exist but are being denied to me, then I would absolutely be feeling like a victim and be looking for someone, or some group of people, to blame.

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But PIC is not addressing these systemic issues. In fact the lead character, Jean Luc Picard himself, seems oblivious to the economic problems facing the Federation, and only addresses the moral concerns of bigotry and hatred.

If Picard were truly bothered by the rise of isolationism in Starfleet and the wider Federation, you might think that someone as demonstrably intelligent as him would seek to understand the root cause of the issue. And to do so, all he really needs to do is walk through his own vinyard.


Jean Luc Picard lives his life wanting for nothing. We do not even see him working on his own vines, because he has enormous robots and a staff of workers to do that for him. He’s elderly, but he has two full-time live-in Romulan carers who take care of him. And yet he considers himself better than the rest of Starfleet because He Is Not A Racist.

Which raises a question: does it actually matter if Picard is a racist? Would it make any difference if he was? He castigates the Federation for turning its back on the Romulans, and yet Picard himself has turned his back on billions of Federation citizens by enjoying the enormous privilege in which he lives.

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I think this was crytallised for me by his interactions on Vashti with the Romulan refugees who live there. Fourteen years ago, he was visiting them and making promises to bring Starfleet to the aid of the Romulans, whose sun was about to explode. He then learns that the Synths have attacked Mars, at which point he rushes back to Earth to lobby for a renewed rescue effort.

After Picard resigned from Starfleet, he never returned to Vashti, nor did he make any other attempts to rescue more Romulans. The refugees there, apparently with no means of leaving for a better home, fell into poverty, living in a dusty town made up of worn-down huts and drinking their woes away.

This is addressed in the episode. Picard says of himself “I made the perfect the enemy of the good.” He acknowledges that his inability to save every Romulan led to him abandoning all Romulans, and sees his flaws in doing so.

Except that a couple of scenes later, we see him walking back through the Romulan town. He sees the “Romulans Only” sign, angrily tears it down, triumphantly steps on it, and enters the bar. He demands service from the waiter. Clearly, he disapproves of the Romulans’ xenophobia, and he is here to show them the error of their ways. A Romulan senator chastises Picard, and then attempts to fight him. Picard refuses, the Senator is beheaded as he attempts to kill Picard by a dark-haired Legolas, and Picard escapes with this katana-wielding elf-Romulan to safety aboard Rios’ advanced starship.

Here’s an interesting point: the first time we see Picard this episode, he is being shown around a perfect holographic recreation of his study in Château Picard by Rios’ Emergency Hospitality Holoprogram. Even when travelling, Picard still gets to enjoy the luxury of his beautiful French mansion in exacting detail. Picard even comments on how realistic it all is.

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And this is where we get to that description of Picard as a “an arrogant, straight, cisgendered old white man who berates others for their intolerance.”

Yes, xenophobia is wrong. Any kind of intolerance is wrong. Absolutely.

But what did Picard expect, exactly? What did he think the result would be when a group of people were taken from their home by aliens in a bid to “save them”, only for those same aliens to then abandon the rest of the Romulan civilisation and leave these refugees here to starve, separated from their culture, their families and from the basic amenities that they had previously enjoyed?

Moreover, how fucking arrogant and distasteful is it for Picard to leave these people for fourteen years, FOURTEEN YEARS, never to return, never to bring help, never to do anything but watch the vines grow on his enormous estate, drink tea and be grumpy about the rise of isolationism? And for him to still be framed as the “enlightened hero” of the story by the writers?

Admiral Clancy calls Picard out for his arrogance in thinking he can return to Starfleet and request a ship out of the blue to go and save a random woman who may, or may not, be the daughter of Data. But what about the coldhearted misanthropy of Picard spending fourteen years doing nothing about the apparent inequality within the Federation? Why is it that Jean Luc Picard, enlightened humanitarian, allows himself to live like a king whilst people like Raffi live in poverty just a transporter beam away?

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Maybe the story is meant to be about how Picard has succumbed to nihilism and apathy. But if so, why does he care about the Romulans being xenophobic at all? Why does he chastise Legulus The Sword Elf for unnecessarily taking a life, even when that person was about to kill Picard? Why does he shout at the Fox News interviewer about Starfleet having lost its way, when he himself has done nothing, nothing, to address the issues that may have actually led to Starfleet losing its way?

If we accept that a post-scarcity society such as the Federation is still somehow beset with wealth inequality, if we accept that there is somehow enough room for Picard’s vinyards but not enough room for Romulan refugees, if we accept that there is somehow no restriction on how much decaffeinated Earl Grey Picard can replicate but workers on Mars have to make do with flavourless protein, then we MUST accept that Picard himself is a heartless, hypocritical capitalist who refuses to help those in need.

If there is wealth inequality in the Federation, then Picard must be activiely complicit with it. If there is no wealth inequality in the Federation, then how on Earth did billions of people become nationalistic and isolationist?

If PIC is truly about the shift of the US and the UK towards right-wing political beliefs, then why is it not exploring the causes of such changes? Why is is oblivious to the actual root cause of these issues? If PIC is simply about pointing out that anti-immigration platforms and nationalism are bad, then it’s not actually doing anything to help its audience understand those issues, and neither is it shining a light on the causes to allow us to take action against them.

In fact, PIC seems to revel in the artificial inequality of its universe. It uses that inequality to create “edgy” and “dramatic” characters, but so far has failed to address the inequality itself.

And if the show is not going to critically assess the causes of rising right-wing ideology, or the societal, systemic failures at the very heart of it, then the show and its creators are guilty of the same hypocrisy as the protagonist. Clouding the narrative about why people turn to xenophobia and nationalism is harmful, even if the text of the story is critical of those ideologies in their own right.

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Wine does not feed the masses. And the hero of your anti-Brexit story cannot be a Jacob Rees-Mogg-like millionaire, living the life of a wealthy aristocrat and looking down on “backwards foreigners” who have the audacity to feel resentment towards a nation that abandoned them.

Because the fact is, Trump rose to power because of the backing of other wealthy white men, who used instruments like Fox News to drive a wedge into America’s wealth divide, whilst other wealthy white Americans wrung their hands about how awful Trump was, and yet did nothing to solve the inequality that led to his election.

And Brexit came to be because of the backing of those same wealthy white men, who used instruments like The Sun to drive a wedge into Britain’s wealth divide, whilst other wealthy white Britons wrung their hands about how awful Brexit was, and yet did nothing to solve the inequality that led to it.

And so now, the hero of ‘Star Trek: Picard’ is a wealthy white man, who wrings his hands and gives speeches about how awful isolationism is, how awful it is to turn our backs upon another community, and all the while he has done nothing but benefit from the inequality that has led to it.

Which puts the writers in a tricky spot. Because now, PIC will have to end with Picard acknowledging his privilege, abandoning his vinyard and chastising the Federation for allowing its people to needlessly live in poverty. Otherwise, life-long Labour member Patrick Stewart will be playing the role of one of those anti-Brexit Tory MPs, or anti-Trump Republicans, who decry the fall of decency within modern politics, but continue to vote for policies that ultimately lead to it.


This is already a long article, and I have a lot more to write, so this is Part One. There is a Part Two, where I address some of the other issues with the show, specifically social issues, as well as problems with the characterisation and overall narrative laziness on display so far.

EXCLUSIVE: Leaked Script from the Pilot Episode of ‘Star Trek: Picard’

Last night, the below script was accidentally uploaded by a CBS staffer to the Internet Movie Script Database. It was removed just a few minutes later once the mistake was realised, but fortunately, we here at CrudeReviews.net were able to download it in the short time it was live, and we decided to share it with you here.

Are you all super excited for the Alex Kurtzman-led return of Captain Jean Luc Picard, starring the legendary Patrick Stewart? We certainly all are! #PicardisBack #StarTrekRocks #WeLoveStarTrek #ProgressiveSciFi


STAR TREK: PICARD

SEASON 1, EPISODE 1
PROVISIONAL TITLE: “As the night the day, thou canst not then be false to any man.”
ALTERNATIVE TITLE: “Let Them Bleed”

WRITTEN BY ALEX KURTZMAN, AGE 44 AND 2/3rds

INT. PICARD’S READY ROOM
The camera pans across a table of Picard’s treasured memories. First we see his tin whistle, from that one where he lived the entire life of someone in a dying civilisation. Do you remember that one? It was really famous, everyone remembers that episode. The camera keeps panning, over to the ancient stone artefact, the Curly Rascal. Then a Polaroid photograph of Picard and Q, hanging out at the beach. Finally, four lights in a line. Do you remember that one? The one where he shouted “THERE ARE FOUR LIGHTS!”? Do you remember that? You remember that, don’t you?

The camera zooms out to show the whole ready room at a dutch angle. All the lights are blue, and everything’s dark. Behind his desk, PICARD sits in silence, grizzled, a rough scar down one side of his face, lifting a dumbbell in one arm. He stares at a screen in front of him, with the words “WAR REPORT” in large font at the top. There are red icons and lines on one half of the screen, and blue icons and lines on the other half of the screen.

The door chimes. Picard doesn’t look up.

PICARD
Enter.

In walks NUMBER ONE. She’s tall, of West Asian descent, and identified in all the show’s press releases as “Star Trek’s first Indian Muslim Lesbian!” She’s also half-Andorian, or something, with all of the personal drama that presumably entails.

NUMBER ONE
We’re almost ready to begin negotiations, Captain-Ambassador. As Starfleet’s top diplomat, it will be your job to bring peace to this sector. Before the entire Federation falls.

PICARD
Well, Number One, this war with [distant sound of dice rolling] THE ROMULANS and [sound of a dart thumping into a dartboard] THE JEM’HADAR, led by [sound of coin flip] THE BORG is taking its toll. The entire Alpha Quadrant could be wiped out soon if we don’t find a way to stop this dreadful war.

NUMBER ONE
Yes, wars are terrible. And thank you for so succinctly expositing the peril we currently face. It sounds like this awful, awful war could take nine, maybe even ten episodes to resolve.

PICARD
Agreed. Let’s get moving.

They walk out of the ready room together.

INT. THE SHUTTLE BAY
Picard, Number One and a Tactical Diplomacy Team enter the shuttle bay. They are all dressed in armoured space suits, carrying flashy new phaser rifles. They march past the shuttles straight to the rear door.

NUMBER ONE
Captain, aren’t we taking the shuttles?

PICARD
Not today, Number One. Today we need to be a little more direct. Ready?

The rear door opens, revealing a planet below them. The camera flies out of the door and pans back to an exterior shot of the ship, the U.S.S. Enterprise, NCC-1701-XXX. A heavy metal remix of the ‘Next Generation’ theme plays. The Enterprise is a sleek, futuristic ship with nacelles and everything. She’s Starfleet’s newest consular ship, armed with fifty billion photon torpedoes and the newly-designed “Peacebringer” anti-planet array.

Inside the shuttle bay, an automated voice addresses the team.

COMPUTER
Ship in position. Diplomacy team ready to deploy.

PICARD
I love this part.
(he cocks his pump-action laser gun)
Let’s begin negotiations. Engage!

Picard, Number One and team run and leap out of the shuttle bay whilst Black Sabbath’s ‘Iron Man’ plays non-diegetically.

EXT. THE PLANET’S SURFACE, DAY
WEYOUN (Do you remember him???) and SOME ROMULAN stare in horror at a holographic tactical display.

SOME ROMULAN
Weyoun, it’s the Enterprise, she’s in orbit!

WEYOUN
The Enterprise? She’s an Ethics-class consular gunship! And she can only be captained by one person…

SOME ROMULAN
(gasping)
Picard! Quickly, we must hide the children!

WEYOUN
(to a Jem’Hadar soldier)
Get the troops ready and prepare our defenses for an orbital diplomatic assault!

EXT. THE SKY, DAY
Picard, Number One and the Tactical Diplomacy Team plummet through the air, the front of their spacesuits glowing red hot because that’s what happens when you enter a planet’s atmosphere, so this is still technically science-fiction.

Suddenly, powerful LASER BLASTS fire up at them from the surface! Arcs of deadly green energy bolts fill the air. Two of Picard’s diplomatic staff are vaporised as soon as they are hit.

NUMBER ONE
Captain, we can’t withstand this amount of firepower! We have to ab-

She screams, an energy bolt striking her and covering her in green, coruscating energy ribbons. Why she doesn’t get vaporised like the other two is unknown. She howls in agony as her body gets twisted and contorted by the energy, breaking her bones and searing her skin. This goes on for at least six minutes. Eventually, her eyes explode and then her entire body explodes inside her spacesuit, filling it with a goopy, bloody mess.

PICARD
Number One! Well, she died doing what she loved – convincing people on the internet that this was still a progressive show with new ideas. It’s just up to us men now, boys!

The assault team cheers, unfazed by their losses or the unyielding anti-air fire that still fills the sky. They continue their descent to the enemy position. One of them speaks up.

TEAM MEMBER
Say, captain, did we ever find out why the enemy wanted to go to war with us? It seems like the Romulans would be hesitant to ally with such a destructive force as the Jem’Hadar, and in any case, wouldn’t the cost of a war with the Federation and occupation of planets outweigh any strategic benefit in the long term?

He immediately gets hit with a laser blast and incinerated.

PICARD
Any other questions?

There are none.

EXT. MILITARY BARRACKS, DAY
A ROMULAN OFFICER leads twenty soldiers in combat training.

ROMULAN OFFICER
Remember, as you fight, be brutal, and only communicate in grunts and growls. We’re the baddies in this war, so we can’t do anything that will in any way humanise us or allow the audience to develop any sympathy for us.

ROMULAN SOLDIER
But I’m fighting for the security of my empire and for the freedom of my loved ones!

ROMULAN OFFICER
No you are not, maggot! You are a nameless grunt! You will throw yourself in the way of phaser blasts and if you are lucky, you may hit a Federation soldier, thereby increasing the level of peril!

ROMULAN SOLDIER
Sir yes sir!

Just then, Picard smashes into the soldier from above, his armoured space suit crushing the green-blooded Romulan into a cloud of red mist and gore. AC/DC’s ‘Back In Black’ blares over the soundtrack.

Picard taps a button on the side of his helmet, and the whole helmet folds back and into nothing, revealing Picard’s face and bald head.

PICARD
We’re here to negotiate terms.

He shoots the Romulan officer in the face. The rest of the squad land behind him, and begin shooting and/or stabbing the rest of the Romulans. Picard kneels over the fallen body of the Romulan officer.

PICARD
Alas, the cost of war. It is so terrible a thing that we ruin and slaughter when peace might otherwise prevail. Oh! How I long for the days of peaceful exploration, where we can uphold Starfleet’s true ideals of mercy and discov-

His voice is drowned out by the screams of the Romulans around him.

INT. A COMMAND CENTRE
Weyoun and Some Romulan are now in a dingy, poorly-lit command centre, filled with Jem’Hadar and Romulan soldiers.

WEYOUN
He’s made planet fall! We should send three brigades of our best troops to slow him down!

SOME ROMULAN
Don’t be insane! He’s the Federation’s top diplomat! We don’t stand a chance in a fight against him. Do you think he would let us live if we surrender?

WEYOUN
It doesn’t look like we have much choice.

Picard kicks down the door and strides in, rifle in hand. He shoots all of the other Romulans and Jem’Hadar before they have chance to react. Weyoun yelps, and drops to his knees, his hands clasped together.

WEYOUN
Captain-Ambassador Picard, please! We surrender! Unconditionally! Spare our lives, and we will work with you to bring this war to an end! We see now that we were at fault, and we want to learn from Starfleet’s ways of peace and equality, so that we can be better ourselves!

PICARD
Up yours, dickhead.

Picard punches Weyoun in the head, so hard that his head spins around completely, and we hear the sound of his neck snapping. Picard points his rifle at Some Romulan.

PICARD
There are now sixty Starfleet Abdul Hamid-class gunships in orbit of this planet. Surrender this sector, or we will be forced to wipe out every living organism and turn this world into a barren tomb.

Some Romulan nods nervously, then carefully shuffles to a console at one side of the room. He presses a button, and on the display a large, red icon appears: “SURRENDER SECTOR”. He pushes it. On the other side of the room, a display labelled “WAR MAP” turns from red to blue. Little Starfleet badge symbols replace all of the Romulan symbols.

Picard nods. He taps his commbadge.

PICARD
This is Picard. Diplomacy accomplished. One to beam up.

He is consumed by the sparkly transporter effect and disappears.

INT. THE BRIDGE OF THE ENTERPRISE
Picard strides onto the bridge in full dress uniform. He addresses the crew.

PICARD
Today, a great victory was won for peace. Through careful negotiation, we were able to end the war in this sector. Although we still have the rest of the Alpha Quadrant to pacify, today proves that we can restore order to the Galaxy by embodying Starfleet’s ideals of ethics, co-operation, discovery and science. This is what it means to be Starfleet, and we have shown that diplomacy, not violence, is always the way to resolve our differences.

The crew applaud, some with tears in their eyes. An Admiral gets up from their weapons station and hangs six medals around Picard’s neck. Inspiring music plays. The audience screams in joy about how Star Trek has returned to its moralistic roots.

Then, an alarm sounds. The OPS OFFICER gasps.

OPS OFFICER
Captain! There’s another ship on an intercept course! I’m not sure who it is, but I’m getting some data coming through now.

On his screen, in large font, are the words “COMMANDING OFFICER:” and below that, four empty spaces. Slowly, one by one, the empty spaces are filled with a letter each. “D”. Then “A”. Then “T”.

OPS OFFICER
Sir! It’s the Cheney!

PICARD
That’s… Commander Data’s ship!

That’s right, Commander Data! Do you remember him? The robot guy? He’s in this too! COMMANDER DATA! HE’S IN THIS SHOW AND YOU RECOGNISE HIM! TUNE IN NEXT WEEK AND YOU MIGHT SEE HIM! COMMANDER DATA! WATCH THE NEXT EPISODE, ASSHOLES!


Well, that looks exciting! We really like the bit where Picard shot all those people, that looks really good. And what about Number One? Could she be the new progressive face of Star Trek? Is this show leading the way for representation of minorities in sci-fi? Probably! The only thing that was really missing from this script was some kind of mystery plot or hidden identity, but who knows what crazy twists and turns they have in store for us in the other episodes? We can’t wait!